The beginning of October is a strange old time, I find. A bit of a no-man’s land.
Whilst September greets us with its ‘term time’ feel of a new start and cad’s promise of an Indian summer, October offers none of those things. It’s a lift plunge of a month.
We enter October, relatively light and crisp. Many of us still sport our summer freckles, fading as foxy fawn trinkets. There’s a slight nip in the air but the soldering sun is, in many ways, a valiant soldier that still has our back. Ditto, the bleed of pouting fruit is still ours to stain with, as we may. Yet for all of that, we know we will leave October (if you live in the UK at least) with the clock change plummeting us into darkness, a Halloween heavier.
Down, we head, surrendering to its greying gears, as we must. The chamber of Libra reminds us of balance, but isn’t all equilibrium a trade? Summer is a debt that must be squared and settled. The steely merchants of winter are beginning to gather. They mosey in the wire wool of storm clouds, the mounting piles of leaves. Their quest will soon gain pace and become an unstoppable march.
A friend of mine runs an Arts Thread on X once a month. Last week she asked me if I wanted to contribute something. That day, I’d just written the first poem below, so offered her that one. The others are a couple more I’ve written this week. Photos are my own. I’ll put the meanings at the end.
First to lose their leaves
My bladed gaze cut through the hillside
Soaked, as summer grieves
Paused upon the faded prize
Of ‘first to lose her leaves’
Awkward, outed, naked
Raking air, a jaded claw
Stripped of all protection
Casualty of Nature’s law
Barren arches, brittle roots
No places left to play
No boughs of green nor final blossom
Cushioning decay
How can a tree be alien
When standing in a wood?
Well crowds have done the same to me
So I knew how it could
Our silent screams kissed in mid air
Caressed by killing time
We shared mistakes as silver aches
Massaged by ghosts of prime
We traced each other, branch and eye
Weakness a season seized
Both clothed in bare, attracting stare
Us, first to lose our leaves
Revolving Door
My hall of mirrors trip me up
Distort how I perceive
Whilst Chinese whisper echoes
Always beg that I believe them
But worst, is the revolving door
Compulsive carousel
Merry go round heaven
Drops me at the gates of hell
Seduced by new familiar sights
The ritual of the circle
Sucked in again, committed
To the all consuming whirl pool
Revolving door, revolving door
Both sense and senses spinning
Dancing with light I can’t secure
My inner addict winning
One day I’ll find the exit
Learn to rein impulse away
For now, blind flame is bound to wind
My beam, enslaved to sway
The Actor and the Actress
I dreamed we took ourselves to bed
Your actor and my actress
Shed our costumes at the door
Skin, naked on a mattress
No comfort blankets we could cling to
Draping sheets to shield
Seething sun to glare our flaws
No secrets left concealed
Imperfect bodies sewn by eyes
No lines to stumble over
And roles we’d longed for all our lives
Revealed as fields of clover
I’ve found the old films best of all
The crackling combs of homespun
No stilted script, just point and go
Plain hooks, to hang a heart on
And the budgets getting tighter now
We go where there’s still access
Hours squeezing like a fruitless lime
So little time is left to practise
All dreams must curb as orbs of gold
Die, noble knights to order
Next morning we were back on set
The weather that bit colder
Two blackbirds mouthed a primrose song
A tune, gentle and gallant
I tried to sing it, got it wrong
You heard a murder ballad
Meanings
First to lose their leaves
I’d been feeling lonely, yet not had much time alone to digest that, if you know what I mean. Because feelings of isolation are not exclusive to those who are alone, right? Anyway, I was strolling through the park and from across the green, saw the tree in the photograph. It seemed to illustrate my feelings. I then started to contemplate Autumn forcibly shaking each tree in turn, like a determined dog. Each one losing its leaves. Testing it. Just as life does this to people. Someone’s always gotta go first, right? I noticed the wood behind this one particular tree, first to be cruelly stripped and outed. The way people are. Later that day, after revisiting the photo, I thought the tree was actually, probably dead. But that itself is another interesting idea isn’t it. The dead who live among us.
Revolving Door
I wrote this thinking about the perpetual cycles we give ourselves to. The addictions we have, the way familiar situations repeatedly attract us because they present as new. In many ways our draw to these loops is like a child’s playground roundabout. We know we will get off it dazed and confused, but at the same time that dizziness is fun, it makes us feel alive.
The Actor and The Actress
I was feeling romantic when I wrote this poem. I’d also been watching a lot of films which I seldom do, hence the imagery. I was considering the notion of a lover whom one felt truly at ease with. Entwining this idea with the loss of youth. How when we are younger, we seek definition through the roles we take on. Age, however, humbles, softens and feathers. Sooner or later comes a desire to stop playing dress up and games, to have someone appreciate the many ‘hats’ we wear in life, yet acknowledge them as simply that. Roles. The lines about home movies point to the compelling purity we find in that unmasking. Mundane can be so achingly luminous and attractive. Often, we think we’ve had a breakthrough with a person. But oh, how actors and actresses are addicted to their wardrobe and make up……Takes a lot to convince someone to put that shit away.
Thanks for reading. I appreciate your comments and hope you find something that chimes.
I now have more than 300 pieces on substack. If you enjoyed this piece, you can find more poems under the heading ‘poems’ on my home page.
Your ode to October at the beginning read like a prose poem, so beautifully done. As were all your poems that followed. This first about the naked tree was my favorite. That sense of being alone and exposed, that vulnerability. I enjoyed reading about how you came to write each poem too.
I liked them all, probably the first one best. I especially liked your insight into what you meant with each poem.