“I put the lights out on the porch every year same as all the other neighbours do. My house looks the same as the rest.”
He said.
“But inside the house, what the neighbours don’t see is….”.
I could tell you the rest but I won’t.
I didn’t know him. Just saw his words online. But as I read it, it perfectly encapsulated the art of facade to me. Keeping up appearances. The way someone can appear to have everything under control on the surface. His house looked the same as those of his neighbours. The lights shone bright.
On the outside.
His words reminded me of the poem ‘Not Waving But Drowning’. The idea that something can be misinterpreted because people see what they want to. They see a prettily decorated street, want to believe that behind each window lies something fairytale, just like an advent calendar……...and so they do.
It’s a strange time of year. The strings of fairy lights we employ are in stark contrast with the long hours of darkness. We clumsily craft what we miss. Illumination. But we can never replicate the magnificence of the sun we grieve. Our amateur efforts are greedily gulped down by the black jaws of night.
As I said in my last post, I’ve felt fed up of late and the poems I post here reflect this.
Sometimes you feel so drained, you’re like a ghost. You see yourself detached and wandering, a vague form without colour or substance. You’ve transitioned through intense emotions that felt engulfing, only to emerge in a trance like state.
You move through your day like a spirit trudging the grounds of an old castle. The surroundings are familiar. You see people but cannot meaningfully interact with them, an onlooker in your own life.
Numb.
Numb is an interesting feeling, in that it’s actually a lack of feeling. As children, perhaps our first understanding of it, is its physical interpretation. Pins and needles. We shake ourselves, stamp the ground. Fight it.
Numbness has always intrigued me. As a child, my teacher told of explorers who went to places so cold they were able to snap off their extremities and feel no pain. I’d imagine it vividly, breaking off my own fingers like a kitkat. The idea of not hurting seemed like an enviable superpower.
“But when you eventually returned to a warmer place, you would most definitely become aware of it. And it would really hurt.”
Oh. Ouch.
Maybe that didn’t sound so good after all then. A little like ‘what goes up must come down’, isn’t it? Any loss of sensation tends to return. And with a vengeance.
Phantom limbs always fascinated me too. My uncle had one. His foot became mangled in a machine at work and was subsequently removed. Yet still he felt it. Still ‘felt’ pain in his phantom foot.
His foot that wasn’t there.
Hm….so how does that work then?
Phenomenons such as this illustrate the extent to which the brain rules the rest of us. Tricks us. A part of us can literally cease to be, we look down and see with our own eyes it is gone - yet our ache begs to differ.
So, can it be the same for parts of us we can’t see? Are there parts of our psyche that can die off yet we still convince ourselves they must be there?
I wonder whether people can overdose on strong feeling, permanently injuring or killing off a part of their soul for it never to return. But whereas we can look at an arm or a leg and ‘know’ it’s gone, it’s different with your soul isn’t it? If it is possible to damage or disfigure one’s soul, how would that look? Could you tell? Could you trust your mind to deliver the truth?
What would this look like on a grander scale? What would a numbed society look like? A society so damaged it operates in zombie mode?
Would it look like a man who arranges dozens of guys to rape his unconscious wife or a young woman who wants to have sex with 1,000 men in a day to set a world record? Of normalised plastic surgery and highly processed foods? Of dubious ‘medicine’ that people fear?
I believe we are now at the point of collective numb. The world is traumatised. Yet we cannot transcend this state by switching off. It’s a false win. A temporary gloss that coats a deep seated rot. Pain is warning. When we stop feeling it and succumb to numb, it masks all manner of things we were meant to feel.
At what point does our own personal indifference and resignation inform the collective consciousness? What part do we play in raising vibration? Are we actively fighting the numb we experience as individuals, just as we shake ourselves free of pins and needles?
Sometimes we describe people as being ‘full of life’, even though in measurable terms they are just as alive as the next person. Other times we look in someone’s eyes and talk of them being ‘dead inside’, don’t we? What is it in these instances we are seeing or not seeing? Can it be dissected and analysed? Quantified?
These are the kind of conundrums that lead me to think there is so much more to life that science currently acknowledges. But with that, comes hope. After all, for every ‘dead inside’, we hear of someone ‘getting their spark back’, don’t we?
There is something about the revival of spirit that leans to fire, to physical warmth and light. Feelings are ‘rekindled’.
Candles, for me are a great way of remembering the bright blaze of the human soul. They can sit on a shelf for months, even years, their neutral pillars and stooped black wick doing nothing. Snuffed out.
Yet they can light again.
Light a candle and remember how only a few seconds ago it was but a cylinder of dull wax.
We are all candles. In order to spread light the world over, we must first reignite ourselves.
If the collective soul of the suffering earth is to heal from numb, it starts with believing we can rekindle our own fire. And then, by doing just that.
Stuck in my head
Stuck in my head
Here I must stay
Duty it weights me
From flying away
Wings made of lead
Leashed to a stone
Anchored by anguish
That I made alone
Daggers of dawn
Pierce silent nights
Beige obligation
An armour for fight.
Must change the tune
Old records play
Daydreams are sunbeams
To torment my grey
Iron to rust
Fears starved then fed
Stay here, I must
Stuck in my head
Present
“Present”
I say aloud
Addressing my school mistress mind who demands proof
Proof I’ve not died without knowing
Like in films
When the ghost thinks it’s still alive
Tries desperately to engage with the other characters
As they stare right through it
.
“Present”
Must be, because after the word forms in my brain
It leaves my mouth, plain bird of breath
If there was chill, it would scar the air with its brief marvel of grieved heat.
Like kettle steam
But it doesn’t.
.
“Present”
Logic scours the cavity
Hunting dog seeks signs of life
Must be something there
It begs
With pleading eyes
Circling, patrolling
Longing to warn or rejoice
Defend or attack
Searching. Searching.
But there is nothing
No enemy
No scent to run with, roll in
Pure void
.
“Present”
Bite my bottom lip
Confirm my physicality
Turn my square hands like flat windmill sails labouring solid air
Observe them blueing in hops and skips of bending sun
Thick skin thinning to sheer veil
Lumps of green vein bulging and shining
Shell fading like a video game avatar before my fogging eyes
One day there’ll be no clear form
Just an opal slop of twinkling components
Pinned taut by blunt rock and spartan moon
Exposed
Yet now, I am indeed alive
Conscious
So why am I unmoved?
Untouched?
I conclude that if I am, indeed present
Must be the world around me that died
Peas
All peas once shared a pod
Cheek to cheek with others
Raw and ripening
Sun law sweetly governing
Secured in sealed lips of fibrous green
Perfect spheres lay snug beside another
Hanging on a vine, taped smile
Ready to be rattled toothless
By unrelenting wind
Or maybe burst open, having outgrown a shape
Either way, how easily disrupted the bond
Shaken, broken
Laid bare
Capsized canoes
Contents scattered as smooth, cold marbles
To roll and sprawl cruel floors
Find new corners
So far apart
That any shared song of summer
Is scarcely remembered
All you have
Sometimes all you have is sunrise
To get you through the day
The rose that bowls new joy to soul
Before it slides away
.
Sometimes all you have is starshine
To take you through the night
The silver darts that pierce dark thought
Keep luke warm hope alight
.
Sometimes, there is nothing
Blanket cloud obscures it all
Just memories of certainties
And futures yet to fall
.
What do you do when you’re at sea
No life raft left to hold?
Resign yourself to misery?
Let daunting fates unfold?
.
Keep faith in better times ahead
In hours we don’t yet know
For flowers planted by mind’s seed
Are ours alone to sow
What an incredible piece of writing, Julie. So many beautiful ideas wrapped in sentences I had to read twice, or thrice.
Dark night of the December soul, indeed. Where you've been numbing to move through a time, I've been surrendering to feeling so many feelings inside the complexity of my grief. Guilt, regret, loneliness. Love. So much love.
What a wild ride we are on....made all the richer by poets like you sharing and wearing their insides out. Blessings to you, my sister. ❤️
So pleased to see you back on Substack. I’ve missed you. Thank you for sharing your thoughts. It is indeed a strange time. I’m reminded of Yeats - things fall apart, the centre cannot hold. But at least we are past the Solstice now and our hopes can grow as the days lengthen. I love the cadence of “All You Have”, puts me in mind of Christina Rossetti, and such an important realisation - we have a plenty if we open ourselves to it. Wishing you a Merry Christmas Julie.